False Scenery
I'm interested in how humankind interacts with nature. Inevitably, our existence alters the natural landscape to suit our needs. My art explores the tension between organic and synthetic materials. My interest in the topic of humankind and nature keeps growing over time. As we all grow up with different interactions with nature, each individual will have a different appreciation for the context of the environment.
In this exhibition I focus on the natural scene around me by viewing it through the synthetic materials of glass windows, metal fences, and iron gates. These ubiquitous structures are designed by humans to prevent something from happening. It is a paradox that their decorative patterns create visible tension. In the time of isolation at home during the pandemic, details around my life have become evidently visible and magnified.
In this exhibition I focus on the natural scene around me by viewing it through the synthetic materials of glass windows, metal fences, and iron gates. These ubiquitous structures are designed by humans to prevent something from happening. It is a paradox that their decorative patterns create visible tension. In the time of isolation at home during the pandemic, details around my life have become evidently visible and magnified.
Schlafzimmer 2021
The relative differences
This project aims to develop a contemporary dialogue about the landscape through painting by giving meaning to the imaginative visual relationships of nature, architecture, space, and time.
I am interested in exploring how the world's environmental issue affect our daily lives and their emotional impact. By creating a visual language, I reimagine sites of urban expansion, as well as natural habitats. I question if and how these worlds can coexist? I use painting as a connection point to create relationships between architectural structures and natural landscapes.
Bougainvillea
Gegenüber
Yellow October
The Nearest
Skylar Green
Creep on
Creep on
Rootless
Suffocating geometries
I try to express my concern about the status of humankind and the way we coexist with nature through the metaphysical and material world. I ask the viewer to look beyond the obvious into the hidden and poetic realm of colors. Creating a juxtaposition between free-flowing colors and precisely structured forms is a way to explore connections and differences in painting. This takes us to a place that is both vital and beautiful, a place also where we are unable to breathe, noticing that we are slowly suffocating.
Lonelily
Half Awake
Flora Cash
Rain Drain
Cloud Curtain
Continuous Change
Ricochet
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Ricochet"
Technique: Acrylic and Thread on linen
Size: 110x150 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 110x150 cm.
Year: 2019
Interval Time
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Interval Time"
Technique: Acrylic and Thread on canvas
Size: 100 x80 cm.
Year: 2019
Technique: Acrylic and Thread on canvas
Size: 100 x80 cm.
Year: 2019
Mistrust
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Mistrust"
Technique: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Can't Breathe
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Can't Beath"
Technique: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Be Hazardous
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Be Hazardous"
Medium: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Medium: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Between Days
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Between Days"
Medium: Acrylic and Thread on canvas
Size: 60 x60 cm.
Year: 2019
Medium: Acrylic and Thread on canvas
Size: 60 x60 cm.
Year: 2019
Location Unknown
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Location Unknown"
Medium: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Medium: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
We Sink
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “We Sink"
Medium: Acrylic and Thread on canvas
Size: 80 x100 cm.
Year: 2019
Medium: Acrylic and Thread on canvas
Size: 80 x100 cm.
Year: 2019
Affinity
This painting is apart of "Border of Possibilities " Exhibition"
Title: “Affinity”
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Where the Sky Hang
This painting is apart of "Border of Possibilities " Exhibition"
Title: “Where The Sky Hang”
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Border of Possibility
In the Anthropocene Age, human activity has a significant impact on the ecosystem of the world. Today, the impact of human actions on our planet is almost invisible. Natural Climate Change has become one of the most important products of our time. What we see as natural is mostly only simulation, although there is a romantic notion about balance, and being in harmony with nature.
Humans have changed the global climate of the earth, and the effect of human impact on the planet continues to increase during this Anthropocene era.
I'm trying to create another space in my painting, exploring how far the borders of possibilities can be stretched. The desire to have peace in life without boundaries, without restrictions. The expression of the relations between the elements that make up the natural environment in this epoch. Images of a space from a hemisphere that is different from the constant change of the sky, impossible to decode, as well as having to cope with the boundaries and restrictions of our planet that affect both life and mind.
Humans have changed the global climate of the earth, and the effect of human impact on the planet continues to increase during this Anthropocene era.
I'm trying to create another space in my painting, exploring how far the borders of possibilities can be stretched. The desire to have peace in life without boundaries, without restrictions. The expression of the relations between the elements that make up the natural environment in this epoch. Images of a space from a hemisphere that is different from the constant change of the sky, impossible to decode, as well as having to cope with the boundaries and restrictions of our planet that affect both life and mind.
Solace
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Solace"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Along with us
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Along with us"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Edge
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Edge"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Once
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Once"
Medium: Acrylic and Thread on linen
Size: 90 x 90 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 90 x 90 cm.
Year: 2018
Wave of good noise
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Wave of good noise"
Medium: Acrylic and Thread on canvas
Size: 90 x 90 cm.
Year: 2018
Medium: Acrylic and Thread on canvas
Size: 90 x 90 cm.
Year: 2018
Place We won't walk
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Place we won't walk"
Medium: Acrylic and Thread on canvas
Size: 40 x 40 cm./ each
Year: 2018
Medium: Acrylic and Thread on canvas
Size: 40 x 40 cm./ each
Year: 2018
MEWE
Just change the direction itself.And hear about all the things that's go on in someone head
My Holocene
"Locate of Blue"
"Breathing on Paper"
Pattern is in all things a pattern that is part of our universe.
You may be familiar with design patterns, behavior patterns, patterns of events, spending patterns, or thought patterns.
Decorative pattern has existed since the dawn of civilization since human began using art to convey emotion, install mood and shape atmosphere.
The pattern can be an incredibly powerful and versatile tool for communicating personality.
I use a pattern of tablecloth which shows a power of pattern to another things.
You may be familiar with design patterns, behavior patterns, patterns of events, spending patterns, or thought patterns.
Decorative pattern has existed since the dawn of civilization since human began using art to convey emotion, install mood and shape atmosphere.
The pattern can be an incredibly powerful and versatile tool for communicating personality.
I use a pattern of tablecloth which shows a power of pattern to another things.
Clouds never sleep
The living with the cloud is fantastic. It’s was magic to be above (the cloud), to see their upper most contours, the way they caught the wind and held it, their large shadows moving upon the face of the earth. When people look at clouds melt from rain, they do not see their real, which is no shape at all, because they are always changing. But the cloud in the sky very much resembles the thought in our minds.
“ State of harmony between the lands ”
The land ethic simply enlarges the boundaries of the community to include soils, waters, plants, and animals, or collectively: the land. A land ethic, of course, cannot prevent the alteration, management, and use of these "resources," but it does affirm their right to continued existence, and, at least in spots, their continued existence in a natural state. (Aldo Leopold, A Sand County Almanac 1986)
By land is meant all of the things on, over, or in the earth. The land is one organism. Its parts, like our parts, compete and co-operate with each other. The part of the inner workings as the co-operations. The land of a smile from East part being a part of West area.
By land is meant all of the things on, over, or in the earth. The land is one organism. Its parts, like our parts, compete and co-operate with each other. The part of the inner workings as the co-operations. The land of a smile from East part being a part of West area.
Beyond Boundaries
Imagine for a moment a world without borders; a world where people could travel and move freely. Global visa and passports would not be necessary anymore, and we would be free to go and work wherever and whenever we wanted. Many of us would respond that this is a dream. In spite of all the promises, this borderless world of freedom and unity would be filled with all kinds of problems as well.
An imaginary world with sustainable communities that are part of different countries: the Internet gives them the power to connect with the entire world for information and communication.
An imaginary world where communities are free to develop their culture again: information, education and knowledge flow freely in a world where everyone has opportunity and hope.
Reach out and connect with the world around you. Let us continue along the path that erodes national self-interest and together promote what is in the best interests of humanity in general. We can build a stronger future. It will require vision and sacrifice as the road ahead will not be easy.
The source of the problem is that obstructions to freedom of space and distant friendships are still very real. In a Borderless World, everything is beautifully blended like natural pictures of landscapes and seamless skies that may lead us to our imagination.
Imagine a situation where someday this may be true, even though we live in an anthropogenic era.
The yearning for peace in life and nature are in progress and are increasing steadily. I'm trying to create a space in which different places of hope and peace landed on my painting. It's a land without boundaries. The nature of love and life will bring happiness to everyone.
Morakot Ketklao
An imaginary world with sustainable communities that are part of different countries: the Internet gives them the power to connect with the entire world for information and communication.
An imaginary world where communities are free to develop their culture again: information, education and knowledge flow freely in a world where everyone has opportunity and hope.
Reach out and connect with the world around you. Let us continue along the path that erodes national self-interest and together promote what is in the best interests of humanity in general. We can build a stronger future. It will require vision and sacrifice as the road ahead will not be easy.
The source of the problem is that obstructions to freedom of space and distant friendships are still very real. In a Borderless World, everything is beautifully blended like natural pictures of landscapes and seamless skies that may lead us to our imagination.
Imagine a situation where someday this may be true, even though we live in an anthropogenic era.
The yearning for peace in life and nature are in progress and are increasing steadily. I'm trying to create a space in which different places of hope and peace landed on my painting. It's a land without boundaries. The nature of love and life will bring happiness to everyone.
Morakot Ketklao
Anthropocence Era
Solo Exhibition at Gallery Seascape, Chiang Mai, Thailand 2016
“Anthropocene Era.”
I question contemporary life, exploring the fracture, chaos, and division of the human condition in a world in flux. One may experience dizziness and a loss of perspective being aware of the acceleration of time and space in our world. I create landscapes that are simultaneously sublime and toxic. These formations capture the transcendent beauty of nature, with acrylic swirls hinting at pollution and artificiality, inducing wonder and discomfort simultaneously. The intersection of creation in my alchemical formations bring out our conflicted relationship with nature - a relationship fraught with awareness and fear, closeness and distance.
"I'm an individual who believes that everything is connected conceptually, and my work visualizes this relationship."
I question contemporary life, exploring the fracture, chaos, and division of the human condition in a world in flux. One may experience dizziness and a loss of perspective being aware of the acceleration of time and space in our world. I create landscapes that are simultaneously sublime and toxic. These formations capture the transcendent beauty of nature, with acrylic swirls hinting at pollution and artificiality, inducing wonder and discomfort simultaneously. The intersection of creation in my alchemical formations bring out our conflicted relationship with nature - a relationship fraught with awareness and fear, closeness and distance.
"I'm an individual who believes that everything is connected conceptually, and my work visualizes this relationship."
Impression Mallnitz
Mallnitz Austria
2016
Aroi
Hue College of Art, Hue, Vietnam
2016
WEDDING SUIT
Ardud,Romania
2015
IN BETWEEN
"IDENTITY NON IDENTITY"Exhibition
Alliance Francaise de Bangkok
2015
Fixing Space
2014-2015
Acrylic and Threat on Canvas
