Bougainvillea
Gegenüber
Yellow October
The Nearest
Skylar Green
Creep on
Creep on
Rootless
Lonelily
Half Awake
Flora Cash
Rain Drain
Cloud Curtain
Continuous Change
Ricochet
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Ricochet"
Technique: Acrylic and Thread on linen
Size: 110x150 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 110x150 cm.
Year: 2019
Interval Time
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Interval Time"
Technique: Acrylic and Thread on canvas
Size: 100 x80 cm.
Year: 2019
Technique: Acrylic and Thread on canvas
Size: 100 x80 cm.
Year: 2019
Mistrust
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Mistrust"
Technique: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Can't Breathe
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Can't Beath"
Technique: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Technique: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Be Hazardous
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Be Hazardous"
Medium: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Medium: Acrylic and Thread on linen
Size: 90 x90 cm.
Year: 2019
Between Days
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Between Days"
Medium: Acrylic and Thread on canvas
Size: 60 x60 cm.
Year: 2019
Medium: Acrylic and Thread on canvas
Size: 60 x60 cm.
Year: 2019
Location Unknown
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “Location Unknown"
Medium: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
Medium: Acrylic and Thread on linen
Size: 120 x100 cm.
Year: 2019
We Sink
This painting is apart of "Suffocation Geometries " Exhibition"
Title: “We Sink"
Medium: Acrylic and Thread on canvas
Size: 80 x100 cm.
Year: 2019
Medium: Acrylic and Thread on canvas
Size: 80 x100 cm.
Year: 2019
Affinity
This painting is apart of "Border of Possibilities " Exhibition"
Title: “Affinity”
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Where the Sky Hang
This painting is apart of "Border of Possibilities " Exhibition"
Title: “Where The Sky Hang”
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Solace
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Solace"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Along with us
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Along with us"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Edge
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Edge"
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 60 x 80 cm.
Year: 2018
Once
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Once"
Medium: Acrylic and Thread on linen
Size: 90 x 90 cm.
Year: 2018
Medium: Acrylic and Thread on linen
Size: 90 x 90 cm.
Year: 2018
Wave of good noise
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Wave of good noise"
Medium: Acrylic and Thread on canvas
Size: 90 x 90 cm.
Year: 2018
Medium: Acrylic and Thread on canvas
Size: 90 x 90 cm.
Year: 2018
Place We won't walk
This painting is apart of "Border of Possibilities " Exhibition"
Title: "Place we won't walk"
Medium: Acrylic and Thread on canvas
Size: 40 x 40 cm./ each
Year: 2018
Medium: Acrylic and Thread on canvas
Size: 40 x 40 cm./ each
Year: 2018
MEWE
Just change the direction itself.And hear about all the things that's go on in someone head
My Holocene
"Locate of Blue"
"Breathing on Paper"
"Breathing on Paper"
Title : "It can only convey it"
Pattern is in all things a pattern that is part of our universe.
You may be familiar with design patterns, behavior patterns, patterns of events, spending patterns, or thought patterns.
Decorative pattern has existed since the dawn of civilization since human began using art to convey emotion, install mood and shape atmosphere.
The pattern can be an incredibly powerful and versatile tool for communicating personality.
I use a pattern of tablecloth which shows a power of pattern to another things.
Title : "It can only convey it"
Pattern is in all things a pattern that is part of our universe.
You may be familiar with design patterns, behavior patterns, patterns of events, spending patterns, or thought patterns.
Decorative pattern has existed since the dawn of civilization since human began using art to convey emotion, install mood and shape atmosphere.
The pattern can be an incredibly powerful and versatile tool for communicating personality.
I use a pattern of tablecloth which shows a power of pattern to another things.
Clouds never sleep
The living with the cloud is fantastic. It’s was magic to be above (the cloud), to see their upper most contours, the way they caught the wind and held it, their large shadows moving upon the face of the earth. When people look at clouds melt from rain, they do not see their real, which is no shape at all, because they are always changing. But the cloud in the sky very much resembles the thought in our minds.
“ State of harmony between the lands ”
The land ethic simply enlarges the boundaries of the community to include soils, waters, plants, and animals, or collectively: the land. A land ethic, of course, cannot prevent the alteration, management, and use of these "resources," but it does affirm their right to continued existence, and, at least in spots, their continued existence in a natural state. (Aldo Leopold, A Sand County Almanac 1986)
By land is meant all of the things on, over, or in the earth. The land is one organism. Its parts, like our parts, compete and co-operate with each other. The part of the inner workings as the co-operations. The land of a smile from East part being a part of West area.
By land is meant all of the things on, over, or in the earth. The land is one organism. Its parts, like our parts, compete and co-operate with each other. The part of the inner workings as the co-operations. The land of a smile from East part being a part of West area.
Beyond Boundaries
Imagine for a moment a world without borders; a world where people could travel and move freely. Global visa and passports would not be necessary anymore, and we would be free to go and work wherever and whenever we wanted. Many of us would respond that this is a dream. In spite of all the promises, this borderless world of freedom and unity would be filled with all kinds of problems as well.
An imaginary world with sustainable communities that are part of different countries: the Internet gives them the power to connect with the entire world for information and communication.
An imaginary world where communities are free to develop their culture again: information, education and knowledge flow freely in a world where everyone has opportunity and hope.
Reach out and connect with the world around you. Let us continue along the path that erodes national self-interest and together promote what is in the best interests of humanity in general. We can build a stronger future. It will require vision and sacrifice as the road ahead will not be easy.
The source of the problem is that obstructions to freedom of space and distant friendships are still very real. In a Borderless World, everything is beautifully blended like natural pictures of landscapes and seamless skies that may lead us to our imagination.
Imagine a situation where someday this may be true, even though we live in an anthropogenic era.
The yearning for peace in life and nature are in progress and are increasing steadily. I'm trying to create a space in which different places of hope and peace landed on my painting. It's a land without boundaries. The nature of love and life will bring happiness to everyone.
Morakot Ketklao
An imaginary world with sustainable communities that are part of different countries: the Internet gives them the power to connect with the entire world for information and communication.
An imaginary world where communities are free to develop their culture again: information, education and knowledge flow freely in a world where everyone has opportunity and hope.
Reach out and connect with the world around you. Let us continue along the path that erodes national self-interest and together promote what is in the best interests of humanity in general. We can build a stronger future. It will require vision and sacrifice as the road ahead will not be easy.
The source of the problem is that obstructions to freedom of space and distant friendships are still very real. In a Borderless World, everything is beautifully blended like natural pictures of landscapes and seamless skies that may lead us to our imagination.
Imagine a situation where someday this may be true, even though we live in an anthropogenic era.
The yearning for peace in life and nature are in progress and are increasing steadily. I'm trying to create a space in which different places of hope and peace landed on my painting. It's a land without boundaries. The nature of love and life will bring happiness to everyone.
Morakot Ketklao
Anthropocence Era
Solo Exhibition at Gallery Seascape, Chiang Mai, Thailand 2016
“Anthropocene Era.”
I question contemporary life, exploring the fracture, chaos, and division of the human condition in a world in flux. One may experience dizziness and a loss of perspective being aware of the acceleration of time and space in our world. I create landscapes that are simultaneously sublime and toxic. These formations capture the transcendent beauty of nature, with acrylic swirls hinting at pollution and artificiality, inducing wonder and discomfort simultaneously. The intersection of creation in my alchemical formations bring out our conflicted relationship with nature - a relationship fraught with awareness and fear, closeness and distance.
"I'm an individual who believes that everything is connected conceptually, and my work visualizes this relationship."
I question contemporary life, exploring the fracture, chaos, and division of the human condition in a world in flux. One may experience dizziness and a loss of perspective being aware of the acceleration of time and space in our world. I create landscapes that are simultaneously sublime and toxic. These formations capture the transcendent beauty of nature, with acrylic swirls hinting at pollution and artificiality, inducing wonder and discomfort simultaneously. The intersection of creation in my alchemical formations bring out our conflicted relationship with nature - a relationship fraught with awareness and fear, closeness and distance.
"I'm an individual who believes that everything is connected conceptually, and my work visualizes this relationship."
Impression Mallnitz
Mallnitz Austria
2016
Aroi
Hue College of Art, Hue, Vietnam
2016
WEDDING SUIT
Ardud,Romania
2015
IN BETWEEN
"IDENTITY NON IDENTITY"Exhibition
Alliance Francaise de Bangkok
2015
Fixing Space
2014-2015
Acrylic and Threat on Canvas
